Audrey

Audrey Taucher took my Lost River Artisans Cooperative hand-building course three years ago. I think that was the first year I taught that course. Audrey throws pots at a studio in DC on a weeknight, but when she and Jay are out here, most Saturdays find her in my studio hand-building stoneware pots. She shows up with pockets full of dog treats and makes far thinner pots than I would even attempt. And then she makes them exotic with the Japanese Kanji she carves into them where I stamp Kahoka. We work well together, and I am happy to turn my studio over to her when I can’t be there.

Hand-building is often a far slower process than throwing pots, which is basically the same thing over and over. Hand-building has, in my biased opinion, far more potential for creativity and diversity. For a long time Audrey made a pot or maybe two in the hours she had. With practice she has now speeded up considerably, although she still finds glazing time-consuming. I don’t have many continuing students, but every time I teach the course (which I will do this year on June 6 and 20; check it out at www.lostrivercrafts.com), I hope to discover another Audrey. I have loved watching her develop her own style. Audrey and I use the same clay, the same glazes, the same tools and studio, and the same kilns-- and we produce completely different pots. That is the beauty of hand-building.

Audrey, Joshua Miller (a woodworker and builder), and a textile artist from another part of West Virginia have a great show coming up in May in Lewisburg. It will be in one of only four Carnegie Halls in the US, and promises to be stellar! The trio will have one large collaborative piece, which I am eager to see after watching Audrey make her stoneware plaques for it and seeing Joshua’s sketches. The reception for the show is Friday, May 2^nd, and we don’t want to miss it! See you there?