Audrey Taucher took my Lost River Artisans Cooperative hand-building course three years ago. I think that was the first year I taught
that course. Audrey throws pots at a studio in DC on a weeknight, but when she
and Jay are out here, most Saturdays find her in my studio hand-building
stoneware pots. She shows up with pockets full of dog treats and makes far
thinner pots than I would even attempt. And then she makes them exotic with the
Japanese Kanji she carves into them where I stamp Kahoka. We work well
together, and I am happy to turn my studio over to her when I can’t be there.
Hand-building is often a far slower process than throwing
pots, which is basically the same thing over and over. Hand-building has, in my
biased opinion, far more potential for creativity and diversity. For a long
time Audrey made a pot or maybe two in the hours she had. With practice she has
now speeded up considerably, although she still finds glazing time-consuming. I
don’t have many continuing students, but every time I teach the course (which I
will do this year on June 6 and 20; check it out at www.lostrivercrafts.com), I hope to
discover another Audrey. I have loved watching her develop her own style.
Audrey and I use the same clay, the same glazes, the same tools and studio, and
the same kilns-- and we produce completely different pots. That is the beauty
of hand-building.
Audrey, Joshua Miller (a woodworker and builder), and a
textile artist from another part of West Virginia have a great show coming up
in May in Lewisburg. It will be in one of only four Carnegie Halls in the US,
and promises to be stellar! The trio will have one large collaborative piece,
which I am eager to see after watching Audrey make her stoneware plaques for it
and seeing Joshua’s sketches. The reception for the show is Friday,
May 2nd, and we don’t want to miss it! See you there?