I have a request for a windchime with sheep on it. Others
have asked how I make the mobiles, so here’s the process behind their creation.
They are challenging to wrap, but there are several hundred Kahoka windchimes scattered
across a couple of continents.
I start with a theme
and cut out clay figures with cookie cutters or free-hand. The wee forms are
cleaned, dried, and bisque fired. Then they are glazed and fired to Cone 6 and the
real fun begins.
My friend Susie collects drift wood for me from the
Chesapeake Bay. I clean the wood and drill it, and then thread my strings, using
beads for spacers. I usually incorporate smaller figures into the upper parts of
the mobiles and larger ones on the ends. Sheep are great, being rounded and without
vulnerable projections. I epoxy the knots to keep the wind from untying them if
people hang their mobiles outside. Then I spray everything—the rope to keep out
moisture and the wood in case of invisible in-dwellers. Indoors, the mobiles
last indefinitely. Outside, they will last several years
in a protected spot such as a screened porch. They don’t baa, but they sound
wonderful!
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